I listened to the interview - I thought it was very cool to hear about the "beginnings" of polymer clay's exciting developments in the art world, as it were, in the U.S.
I loved hearing that you are a believer, and how that had influenced the village women series, especially. Being so new to the craft myself, I'm still working out how to let my faith inspire my art. Of course, I still haven't found my "voice," yet, so maybe they'll come at the same time!
Ceramic artist Kathleen Dustin, M.F.A., has been working with polymer clay since the early 1980s, developing many of her own techniques because it was a material with no history as a fine art or fine craft medium. She is a member and juror of the League of New Hampshire Craftsmen, the oldest professional craft organization in the United States, and has been a juror for numerous national shows. Kathleen maintains a busy juried show schedule throughout the year and teaches workshops around North America and in Europe.
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I listened to the interview - I thought it was very cool to hear about the "beginnings" of polymer clay's exciting developments in the art world, as it were, in the U.S.
I loved hearing that you are a believer, and how that had influenced the village women series, especially. Being so new to the craft myself, I'm still working out how to let my faith inspire my art. Of course, I still haven't found my "voice," yet, so maybe they'll come at the same time!
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